All you need for a powerful drum performance in a heavy duty case for optimal protection. Includes 1x e 602-II, cardioid instrument microphone for bass drums, 4x e 604, cardioid microphone for snare and tom-tom, and 2x e 614, super-cardioid, permanently polarized condenser microphone for cymbal and overhead.

e 614:

For demanding instrument recordings, and performances that produce extended frequencies, high SPL handling and transient response. For woodwind, strings, and home recording

e 604:

For toms, snares, and percussion, clips-on quickly and easily wherever you choose. Tough, reinforced housing, and clamp

602-II:

For bass drums, bass guitar cabs and tubas. Solid, lightweight, and easy to position. For studios, clubs, rehearsal rooms, smaller gigs, or for home recording.

The e 604 has long since been a classic on the rims of tom-toms and snares the world over. Thanks to the practical clip-on holder, the microphone can be mounted in seconds and positioned however you choose. Lightly emphasized in the upper mids and highs, the e 604 provides a forceful sound, open and clear in the lows. The snare receives a warm to dynamic presence; woodwind instruments also receive a marked spaciousness. This is no wonder, since the sound design is based on the legendary MD 421 microphone.

The super-cardioid E614 is a permantly polarized condenser microphone designed for demanding applications which require a wide frequency response, high SPL, fast transient response and a compact design. With its frequency response of 40 Hz to 20 kHz, the E614 is able to capture the full sound of the instrument, while its super-cardioid pick-up pattern isolates the microphone from other on-stage signals. An excellent microphone for percussion instruments, the E 614 is also an ideal choice for woodwind and string instruments. Its excellent acoustic properties also make it a valuable tool for home recording.

The E 602 II is a cardioid instrument microphone especially suitable for use with bass drums, bass guitar cabs, tubas and other low frequency instruments.

A dedicated bass microphone, the e602 combines a lightweight high-performance voice coil with a traditional large diaphragm capsule design to deliver very low bass response and fast transient signals. Low frequency extension and mid band attenuation produces an ultra-smooth pre-shaped signal; the microphone may be used without corrective equalisation. There is an integrated stand-mounting adapter, so no stand clamp is included.

Optimized for low-frequency bass punch and high-power SPL handling, the Beta 52A’s supercardioid design provides maximum isolation from other onstage sounds.

Its ideal for the professional musician looking to mic up their kick drum, bass amp and acoustic bass. It has the quality and durability to be used on stage and in the studio.

The supercardioidcardioid pickup pattern limits interference from other on-stage sound sources and reduces feedback. The frequency response is perfectly tailored for bass instruments with a 20Hz to 10kHz frequency response with a presence boost at 4kHz to let electric basses and kick drums cut through the mix.

The Shure SM81 is a high-quality, directed condenser microphone with cardioid directivity designed for studio recording, broadcasting, TV recordings and public addressing. Its very linear, wide frequency range, low inherent noise and low noise sensitivity at high-frequencies, have made the SM81 the standard for recording acoustic instruments such as guitar, piano and drums. This extremely robust microphone operates on phantom power and performs reliably over under extreme temperatures and humidity conditions. The SM81 is equipped with a three-way switchable high-pass filter and 10 dB attenuation.

• Especially for snare and toms
• Polar pattern: supercardioid
• Frequency range: 20 – 20,000 Hz
• Max. SPL: 160 dB @ 2.5 kOhm
• Rim holder A98D
• RPM626 Preamplifier
• TQG Connection cable (460 cm) C98
• Windscreen

The legendary SM57 is an industry-standard, highly versatile cardioid dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.

It’s the most popular choice for a professional musician who wants to mic up their amplified or acoustic instrument such as a guitar amp or bass amp, saxophone, trumpet or drums. It is used on stages and in studios around the world.

The contoured frequency response with its presence rise, helps the instrument cut better through the main mix. The extremely effective cardioid pickup pattern isolates the main sound source and will simply record what you point at it while rejecting sound from the rear.

The Beta 57A is a precision-engineered dynamic microphone designed for detailed reproduction of amplified or acoustic instruments. A tight supercardioid polar pattern provides high gain before feedback in demanding environments.

It’s a premium instrument mic ideally suited for the professional musician looking to mic up many types of amplified and acoustic instruments such as guitar amps, acoustic guitar, saxophone, snare drum and brass. It can also be used by vocal artists. The Beta 57A has the quality and ruggedness to be used both on stage and in the studio.

It has a tailored frequency response provides warmth and presence and maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources, and minimum off–axis tone coloration. The hardened stell mesh grille facilitates use of proximity effect as well as resisisting wear and abuse.